Due to sensitive issues about the circulation of national treasures abroad and the reported prevalence of grave robbing in poorer parts of China, the subject was feared to be taboo on screen, making the project one of the Chinese film industry’s most anticipated over its three-and-a-half-year gestation period. While Lu’s production company, China Film Group, owns the rights to the series’ first four volumes, Wanda Media acquired the rights to film the last four, at which point other industry giants (Huayi Brothers Media and Beijing Enlight Pictures) came on board, adding financial and producing clout to the project.
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“Mojin,” initially titled “The Ghouls,” is China’s second tomb-raiding blockbuster, opening less than two months after Lu Chuan’s “Chronicles of the Ghostly Tribe.” Both films were adapted from the sensationally successful Web novel series “The Ghost Blows Out the Light” by Tianxia Bachang (the pen name of Zhang Muye). Asian genre buffs should also dig this Stateside. The pic earned about $18.4 million in just one day and is out to plunder local box office until the force of “Star Wars” awakens on Jan.
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Though the film lacks the spooky, macabre spirit expected of this subterranean subgenre, Mongolian-Chinese helmer Wuershan ( “Painted Skin II: The Resurrection”) applies his outlandish visual panache to evoke an underground world of ethnic antiquity refreshingly distinct from traditional Han-Chinese culture. But Yi San’s love for Sung Deok Im is true, and she starts to understand that forming a union with him could ultimately benefit his troubled realm.Diving into the bowels of the earth to fight zombies and explore a lost Khitan kingdom, the 3D tomb-raiding blockbuster “ Mojin: The Lost Legend” barrels forth with enough robust action and technical moxie to make audiences overlook its formulaic plotting and rote characterizations. She is also intelligent enough to understand that becoming a royal consort to the future king is a prestigious role, but one that would restrict her freedom and likely bring her little in the way of joy.
But Sung Deok Im is strong-willed and free-spirited. Yi San falls in love with her and tries to convince her to become his official concubine. He has resolved to become a benevolent monarch who will reform the law when he eventually takes the throne, but the way his father was killed has scarred him emotionally.Īt court, he meets a young woman named Sung Deok Im. His father’s killing haunts him, although it leaves him in the position to take the throne once his grandfather – the cruel and ruthless current king responsible for Yi San’s father’s death – dies. In Korea during the first half of the 1700s, Yi San is an aloof and perfection-loving young prince. Unlike Jae Hee, Jae Hyuk is the person who receives support from the foundation. She is a quiet person and strives to make many new changes. Lee Jae Hee is the chairman of the board’s nephew, while Gu Mi Hee is the twin sister of Lee Jae Hyuk. He gradually grows along with his students. Lee Kang Hoon is a teacher who values a work-life balance. She is aiming to enter one of the top five universities in Korea. Kang Seo Young is a gifted student who is preparing, by herself, for college entrance exams. Jin Ji Won, a confident high school girl with a solid dream, confidently communicates her opinion though she is in conflict with her mother about going to college. Jeong Young Joo is a transfer student with a hidden story and a past connection to Gong Ki Joon. He is a person who loses his dream 11-year dream of taekwondo due to injury and is unsure of knowing what to do. Gong Ki Joon is a hardworking student who assumes work and school simultaneously.
It will delve into how these students learn about love, friendship, true passions, and growing up in an intense environment. School 2021 is the story of students attending a specialized high school and seeking their ambitions, rather than going off to college.